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C D  R e v i e w

  
Tribal Tech - Thick
Zebra Records
Overall Rating
The Breakdown
Shred
4
 
Production
7
 
Vibe
4
 
Songwriting
6
 
  

Let me start out by saying that Tribal Tech has some very good musicians playing on this highly experimental 1999 release, which is a mixture of fusion, jazz, and bluesy guitar riffs. There are grooves on top of grooves, some brash King Crimson wank splattering across the sonic canvas, and a few otherwise interesting moments during this 51-minute jam session.

That said, many of the truly experimental moments are not handled with what I'd call "politeness to the ear," but are rather sort of vomited at the ear for all they're worth, which isn't much. I particularly hated track 4, "Clinic Troll." It was ill-handled samples in a mish-mash barrage of nonsense that never went anywhere. Experiments with noise should be handled in a way to illicit a mood, but this was more of a situation where the guys clearly had a bunch of different things they thought "sounded cool" and threw them together, to the detriment of their listeners.

The mood is more properly spoonfed in the last two tracks, but it comes a bit too late. I fear the listener will never make it to the end of the CD's journey to appreciate this reasonably good denoument.

I hear some great blues and jazz influences by keyboardist Scott Kinsey in some of his more traditional moments, and I wish they were explored more. I tend to blame the keyboardist when too much elecronic fiddle faddle gets in the way (ironic, since I'm also a keyboard player and very much into electronica), and I must do so here, especially when he's credited as using "a multitude of keyboards too numerous to mention."

I also want to touch "bass" here and mention the almighty prowess of bassist Gary Willis. If you listen to one track on the CD, check out track 7, "Slick." It starts a mind-bending minute-and-a-half bass solo, followed by Kinsey going absolutely ballistic with a fusion organ for another minute, with Henderson following suit with an already familiar exploration, but one of the better ones. All the while, drummer Kirk Covington loses his mind underneath it all in a dizzying slurry, culminating in the fourth minute with his own showcase. Definitely my shred pick of the litter.

Worth a listen, and a re-listen, but there are some skippable tracks.

Shred Pick: "Slick" (5:14)

Reviewed by David C. Lovelace

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